Category Archives: Sous Vide

Chicken Roulade, Tomato Gravy and Crispy Roast Potatoes

Roulade-Tomato Gravy5

Free range chicken like the ones I get from Yonder Way are delicious. These are birds that were never caged and are free to roam around and be as active as they like. The result is tasty chicken but not one as tender as the fryers you can get from the grocery store. These are a bit leaner too. All that means that I cannot just plonk a chicken in the oven and roast it high and fast and it’s good to go. I usually have to cook them a bit longer or use them for fricassees or stews and such. In this instance I had some time to play around a bit, so on spur of the moment while getting ready to joint the bird I ended up just deboning the whole chicken.

Chicken Roulade Chicken Roulade2

I had not planned on this dish so I was not sure what the end result will look like. I figured I’ll just choose the flavor profile as I go along. Since the chicken was not going to be “stuffed” with anything like this awesome duck I needed to make sure that the final result is completely encased in skin. So I could not just roll it like a jelly-roll or else I would end up with skin rolled up with the meat where it will never crisp and render. In this case after the bones are removed we end up with more skin that we need. So, what I did was leave the skin attached to one side of the chicken after it was deboned. After seasoning the meat side I rolled it tightly with the skin and cut off the extra flaps. What I had was a nicely rolled chicken with a perfect encasement of skin.

Looking in the fridge and spice cabinet for flavors I ended up with a Spanish profile. I had chopped garlic (of course), smoked and unsmoked paprika, parsley and last but not least home-cured Spanish chorizo. I had cured the chorizo a couple months back from the book Charcuteria: The Soul of Spain by Jeffrey Weiss and still had a 4 inch piece left. I sliced the sausage thin and laid it in two rows down the length of the chicken.

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Cooking the chicken sous vide was the was to go here. It will make sure the chicken is perfectly juice all the way through. I used the Sous Vide Dash app to know for sure when the center of the chicken roll is cooked and pasteurized based on the diameter of the meat in a 150 F/65 C water bath. Before serving I patted the chicken dry very well and cooked it on all sides in a mixture of oil and butter until the skin is crisped and golden brown. This last step would be even more awesome if I had deep fried the chicken roll for a few minutes. I might try that next time around.

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While the chicken was happily cooking I had to think about what to serve it with. Recently I have been very interested in the new Southern cuisine of chefs like Sean Brock and John Currence. Their focus on ingredients, tradition and flavors that pop has been an eye-opener as to how amazing this type of cooking can be beyond fried chicken and okra (although these are awesome too!). Sean Brock’s episodes on Mind of A Chef  are some of the best food television I had ever seen and learned from. In his book (one with the most striking cover BTW), Heritage, Brock has a recipe for tomato gravy that is served with roasted pork, creamed corn and roasted onions. I love that sauce and have made it several times already. So, that’s what went with my chicken.

Roast Onions Roulade-Tomato Gravy

The tomato gravy starts like all gravies, with a starch cooked in a fat – a.k.a roux. In this case cornmeal cooked in bacon fat. Then good quality canned tomatoes are added and the mixture simmers and thickens. The only seasoning here is the bacon fat and some salt and pepper  but the gravy gains a lot from the cooking of the cornmeal and the excellent acidic San Marzano tomatoes. It is so good I could really eat it by itself with a spoon or on some rice. I also made the onions from the same recipe. I prefer to use smaller spring onions for these but I had none on hand. I quartered yellow onions and baked them in foil along with butter and thyme until tender. Before serving I charred the onions in a very hot pan to add some color and caramelized flavor.

Potatoes Potatoes7

Potatoes would go good with this dish, specifically Heston Blumenthal’s amazing crispy fluffy roast potatoes. The trick here is to boil the potato chunks till they are almost falling apart. This obviously cooks them but also creates a lot of crevices, nooks and crannies that will get very crispy later on. After a cooling period, the potatoes are cooked in a baking pan with a good bit of oil in a hot oven. The process results in amazing crispy on the outside, fluffy on the inside golden brown potatoes and they worked great with the lovely chicken and robust tomato gravy.

Roulade-Tomato Gravy2

Historic Heston: The Chicken Liver Parfait

Chicken Liver Parfait6I hesitate to call anything perfect or the ultimate or the best, but really this chicken liver parfait is it…at least for now. I have made rich and decadent chicken liver mousse before but this recipe (itself part of another recipe) uses a couple of techniques that result in the most luxurious pink hued chicken liver parfait ever. The flavor is superb with the strong liver minerality working in perfect harmony with the wine, butter, shallots and herbs.

The main problem with chicken liver dishes is the texture – well, at least for me it is. That grainy sometimes chalky chopped liver texture is loved by some but I find it very off-putting. This is usually due to the liver being overcooked at too high of a heat. When making chicken liver mousse or parfait it’s very important to cook the meat properly. Most recipes will just have us puree the liver with the rest of the ingredients and cook in a ramekin or maybe saute the liver and then puree it with aromatics and such. Blumenthal goes through an extra step or two that are very much worth their effort.

Chicken Liver Parfait-Wine

The primary ingredients of the parfait are cleaned and de-veined chicken livers (free range ones from Yonder Way Farm), eggs mixed with a flavorful liquid reduction (port, wine, brandy along with shallots and herbs) and a whole lot of butter. The butter weight is actually almost equal to the meat weight! The livers (seasoned with salt and curing salt), egg mixture and butter all go in separate bags and are placed in a water bath heated to 50 C with an immersion circulator. The bags stay in the water for about 20 minutes. This temperature and time are obviously not long enough to cook anything. The purpose is to bring everything to the same warm temperature. This helps insure that when I blend the three mixtures together the parfait mix does not split. Mixing cold butter with cool chicken livers and room temperature eggs can really end up hurting the texture.

Chicken Liver Parfait

This is where top level chefs separate themselves from the rest. Attention to the crazy minute details. Maybe making sure that the components of the chicken liver parfait are at the same warm 50 C temperature is a little thing. Maybe it does not make THAT much of a difference. These little things though do add up and make something that is very good great. The other step to really get that texture just right is to pass the blended liver mixture through a very fine sieve. Now the parfait is ready to cook. The mixture goes into a terrine pan that sits in a pan of very hot water (a bain marie ). The parfait is a custard that needs to cook gently like any flan or creme caramel. This one cooks for about 35 minutes in a 212 F oven until the center registers about 147 F on a thermometer.

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Another issue with preparations like this is that the cooked parfait gets an unattractive greenish dark layer on the surface due to oxidation. Even with the Sodium Nitrite (the curing salt added to the livers) this discoloration will still happen). This only gets worse after the parfait sits in the fridge for 24 hours to set. That ugly layer also has a strong flavor. So it messes up all the hard work we’ve been through so far to make a beautiful creamy dark pink chicken liver parfait. The solution? Well, very easy really. Just scrape it off before transferring the cooled parfait into another container.


Chicken Liver Parfait4

I put the parfait into a piping bag and piped most of it into small silicon half sphere molds (more about that in the next post) and the rest went into a couple of small ramekins. If I leave the the ramekins like that with the surface of the parfait exposed the will develop the oxidized nasty top layer again. So, I quickly made a vinegar gelèe with apple cider vinegar and little sugar and gelatin. It’s the same idea as the one I made before  for the “Faux Gras” but this time I left the vinegar mixture totally clear instead of mixing it with parsley. The gelèe both protects the parfait and makes a delicious tart condiment for the liver. The parfait topped with the gelèe like that can sit covered in the fridge for a couple weeks with no problem. We ate the contents of the two small ramekins smeared on toasted brioche with a glass of crisp white wine. This really is the best chicken liver parfait we’ve ever had. It is luxurious, rich, creamy, smooth and has a marvelous flavor.

Cotechino, Lentils, Polenta and Salsa Verde


Every year for New Year’s Day I usually have a Cotechino served with lentils on the table for dinner. I posted about this Italian sausage before here. It incorporates a good proportion of pig skin into the meat mixture and ends up with the most amazing unctuous rich texture. It’s all offset by balanced spicing and sharp flavors that accompany it.

Cotechino is great with lentils, potatoes or polenta. I was going back and forth between serving it with the lentils or the polenta. Eventually I decided why not do both while at the same time dress the dish up a bit and sharpen the plating and the flavor. I also tried some new methods to take my pictures this time around going mostly manual as opposed to allowing the camera to pick the settings. There is a lot of room for improvement but I like the end result and am hoping to keep playing with that.


On prior occasions when I made lentils to accompany the sausage, I primarily relied on a recipe that added tomatoes, stock, rosemary…That was a bit much. The sausage alone has a ton of flavor and does not need a heavy-handed side dish to clash with it. So, this time around I made a basic lentil stew. I used, as always, Puy lentils and just cooked them in sautéed onions, celery and garlic before stewing them gently in water with some fresh thyme thrown in. A final dash of salt and vinegar as well as a helping of salsa verde (more about this in a minute) rounded the lentils out very nicely.

I prepared the polenta in the oven (about 4:1 water to polenta ratio, cooked uncovered at 350 F for about an hour). I allow it to set spread about 1/2 inch thick and then cut it into circles. These get a quick dusting of flour and then pan-fried in olive oil to crisp them up.

Polenta Polenta2

I wanted another layer of flavor to the dish and a salsa verde is it. This is one of my go-to sauces for everything from salmon to steak. It’s not the Mexican one that incorporates tomatillos in it. This Italian salsa verde is a herb sauce composed mostly of parsley. It’s basically chimichurri’s  much better sister (sorry Argentinean sauce lovers!) I try to incorporate some portion of basil in there as well and even a few mint leaves if I have them. These get chopped up (as fine or coarse as you like – I like it on the fine side) with capers, a garlic clove or two, sour pickles and a couple of anchovies. To bring it all together a very healthy dose of olive oil is stirred in along with red wine vinegar, salt and pepper. Once you make it a couple of times you’ll get the hang of how you like it and can adjust the quantities of the ingredients accordingly. I first heard of it many years ago in Jamie Oliver’s first book and I still like to prepare it like he does, just start chopping the parsley and add more ingredients to the cutting board…chop chop…add a few more ingredients…chop chop…as you go. It’s a marvelous sauce with great flavors and textures.

I tried a new time and temperature to cook the Cotechino sous vide this time as well. Per a suggestion from Jason Molinari  I reduced the temp to 68.3 C and cooked it for longer, 24 hours. I like the result a lot but I think there is still room for improvement. Dropping the temperature to around 65 or 62 C and cooking it for anywhere between 24 and 36 hours might be even better next time around to preserve more moisture and flavor. I sliced the sausage and topped a few of the slices with grated Parmesan cheese before searing all the slices on both sides. The final dish was exceptionally good. Not too heavy, cloying or greasy at all. The flavors worked great and the green sauce looked awesome and was a spot-on complement to everything.


A Terrine of Teal

Teal Terrine5We shot a limit of teal (small ducks) this year on one of our trips. It was two of us and my buddy did not want to take his share and deal with the clean-up. I was happy to take his share of the hunt (even if I am never happy about the cleanup of about 12 ducks). In any case I had a good mess of birds in my freezer, mostly plucked clean but with several skinned and portioned out into small legs and breasts. It’s also been a while since I made a terrine of any sort and it really is the season for that kind of stuff. So a terrine of teal (and one bigger bird from last season) it was.

wild duck

I have tons of recipes for terrines and pates, but for this one I looked to a little book that I love reading and cooking from, Richard Olney’s Simple French Food. The late Olney is also the author of the many of the Good Cook series of books including one I’ve mentioned before and own called Terrines, Pates and Galantines. His writing in Simple French Food and The French Menu Cookbook is clear and passionate. These are really classics with no frills, no pictures, great opinionated essays and recipes that teach and work. Either one is a great addition to any foodie’s bookshelf.

Olney does not have a recipe for teal terrine in his book but he does have one that caught my eye for Terrine de Lapin, rabbit terrine. I could have used one of several other recipes from other books including Terrines, Pates and Galantines, but as I mentioned before I just love reading and cooking from Simple French Food. It’s that kind of book that makes you want to get in the kitchen and make something. I basically used the duck in place of the rabbit. Some other changes I made was to make the seasoning a bit more aggressive since duck, especially wild duck, is more gamy than rabbit. Instead of marinating and grinding all the duck, I followed Olney’s instruction to marinate the meat in a mixture of white wine and herbs but I reserved the breasts after marinating and seared them to use them an inlay in the center of the terrine. The remaining duck meat was ground up with some pork shoulder to start making the forcemeat.

Marinating duck

Terrine Meats

The terrine usually needs a small amount of a liquid-ish component. This can be composed of milk, cream, stock or even water mixed in with seasoning and bread to make a paste (known as panade). For this recipe I used the duck carcasses to make a stock in my pressure cooker. I first roasted them and then deglazed with Madeira and a bit of Sherry vinegar before cooking with mirepoix and thyme on high pressure for about an hour. This made about 4 cups of stock. I then reduced it to about half a cup of concentrated meaty goodness. This got mixed with a mashed a garlic clove and chopped up bread to make the panade.


Teal Terrine Teal Terrine3

I ground up the mixture into both fine and coarse portions that got mixed together along with pork fat, pate spices, panade and pistachios. I used the KitchenAid mixer to get the forcemeat really emulsified and bound together well. Half of that went in a plastic wrap-lined terrine pan and then in went the seared duck breasts and then the remaining forcemeat mixture.

Teal Terrine4

Traditionally a terrine is cooked in a bain marie (basically a water bath in the oven). The idea, just like cooking a flan or custard, is to gently heat the mixture and not allow it to break with all the fat and juices running all over the place. Well that is really sous vide cooking old-style. So for the past couple of years I’ve been using my immersion circulator for that. I wrapped the terrine with plastic wrap and then vacuum packed the whole thing using a FoodSaver. The package cooked at 63.5 degrees C for about 3.5 hours. The other plus with this method is that the finished terrine is already wrapped and pasteurized. It can be cooled in an ice bath and go into the fridge. It also needs no pressing with a weight to compress the meat and remove any air bubbles.

Teal Terrine7

We ate this over a period of a week or so with good bread and various accompaniments like mustard, ale chutney and cornichons. I also loved it served up with pickled prunes, homemade coarse mustard and fermented pickled okra. The strong pickle flavors worked very well with the mildly gamy meat. I do want to add some curing salt (Sodium Nitrite, Cure 1,…) next time around to give it a more attractive pinkish hue and cured flavor. I forgot to do that this time around.


Peaches, Cookies and Bourbon Cream


This dish has a lot going for it even if the “cream” was not as successful as I would’ve liked. The flavors are spot on perfect and the textures work really well. It is a dish that I’d like to revisit and refine some more. I served this after a dinner of seafood paella to a couple of friends visiting from Florida. I wanted it to be a simple comforting summer dessert with familiar flavors and some refinement.

Poached Peaches2

The blue print here is a buttery cookie base, a Sablè Breton to be more specific, topped with poached peaches and served with airy crème anglaise (custard sauce) and garnished with pistachios. I prepared the sauce using the modern sous vide method from Modernist Cuisine at Home instead of the traditional stove top method. It’s simpler and requires little attention while at the same time pretty much eliminates the room for error that could result in a curdled sauce. To prepare it, a mixture of yolks, cream, milk, sugar and vanilla goes in a Ziploc bag. This is then cooked in 82 ºC water for 45 minutes. I chilled the mixture and whisked it for a few seconds and it is done. In addition to the vanilla I added bourbon to the sauce after chilling. Bourbon and peaches go great together so that made perfect sense. I purposefully did not cook the bourbon to evaporate the alcohol because I wanted to keep all the flavor in as well as a bit of kick.


I wanted the sauce to have some substance and texture on the plate so that it can take on some form instead of just drizzling it on. I added gelatin to the cooled sauce and poured it into an iSi cannister that I charged with N2O. The gelatin is there to give it the needed structure and using the iSi is to aerate and lighten the sauce on the plate. Ultimately I do not think I used enough gelatin in there (that seems to always be the case with me) and the sauce had some structure but not enough to maintain a cleanly defined form on the plate for more than a minute or so. What I really need to do is research a bit more how much of a certain gelling agent is needed to give me a set foam. I have all the resources I need to find this information, I was just lazy here.

For the cookie portion, I used a recipe from Gordon Ramsay’s Gordon Ramsay: Three Star Chef book for Sablè Breton. This is a slightly sweet buttery pastry that is used to make tarts and cookie sandwiches. Due to the high butter ratio in the dough the cookies tend to spread if not baked in a ring mold. I wanted them to be nice and round. so I rolled the dough into a thick log and sliced it. Then I gently squashed the dough circles to flatten them between the bases of two small (about 3 in. diameter) tart pans. I baked the cookies in the tart pans and then used a cookie cutter to trim them into neat 2 inch circles while they are warm out of the oven.

1-Peaches and Cream

The peaches are the easiest part. I quickly blanched them, peeled them and cut them into wedges. These got poached gently in a sugar syrup flavored with vanilla. To plate I dispensed some of the well-chilled custard into a bowl and topped the Sablè Breton with a spoon of it. I added more custard to the plate and topped the dessert with poached peaches and toasted crumbled pistachios. The flavors and textures were fantastic.

Poaching Syrup Poached Peaches

Green Pea Agnolotti, Crispy Pork, Consomme

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Spring is here and even in hot humid Houston it’s…well it’s nice. The weather, at least for now, is not brutal yet and feels like spring with cool evenings and days that are not stiflingly humid. This dish is a good bridge between winter and spring. It combines lovely deep flavored “braised” pork and it’s crystal clear consomme with that emblem of spring, bright green peas.

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This meal was a result of buying a whole untrimmed pork shoulder. This includes several muscles that can be separated and treated differently as opposed to the traditional American method of just slicing through the bone and slow-cooking everything (as in barbecue). My purpose was to harvest a whole Coppa which is a cylindrical muscle that is usually cured and air-dried. Then it is served like most Italian whole muscle salumi, sliced thin and enjoyed on its own, as part of a simple composed plate or on top of a pizza. This type of butchering meat is known as seam butchery and is practiced a lot in Europe. Its intention is to leave the muscles whole and divide up the animal’s quarters into manageable pieces without cutting through the bones much or at all.


I ended up with a lovely looking Coppa (picture above) that is curing right now. The Coppa  has a great shape and really good marbling in it that it got me thinking about doing this again but cooking the muscle instead of curing it. Really it is like a pork loin but with more fat running through it. How bad could that be? After butchering the shoulder I also ended up with a few other nice muscles including a flat one that looks a lot like a thick skirt steak. I believe this is what sometimes is called a Pluma. That’s what I used for this dish.


As soon as I finished butchering the pork shoulder I tossed the flat piece with some salt and a touch of sugar and let it rest in the fridge. I figured I’ll cook it sous vide with a bit of lard and go from there. Not sure what to do with the meat one it is cooked (tacos are always a good option anyways) I also took care of the resulting shoulder bone. Not wanting it to go to waste I roasted it well along with an onion cut in half until deeply browned. I deglazed the pan with Madeira and then Sherry vinegar, scraped all the browned bits and tossed all that into a pressure cooker. I added more aromatics and water and made a superb pork stock.

Pork Stock2 Pork Stock-Agar

Now I got a perfectly cooked piece of pork along with a few cups of delicious pork stock. Let’s mangle those two ideas togehter and see what comes out. Ramen? that could work, but I was not sure I wanted a stock flavored with Madeira and Sherry vinegar in that. I like the noodle idea though. I started looking for something more European. Maybe a fresh pasta tossed with the pork? I could shred the pork. Pour some of the stock into the served pasta bowls? That sounds good. Toss in some peas? Yeap! Maybe make it a bit more refined though. I also have that ricotta in the fridge that needed using….

Peas Pea Agnolotti

So I jotted down my initial idea that at one point included making a roulade out of the pork and slicing it to serve, similar to this venison dish. I abandoned that down the line. Crisping the pork chunks in a touch of lard would work and look better as well as give me some great texture. The agnolotti though stuck. The idea of pasta pillows filled with a ricotta-pea mixture contrasting with the flavorful consomme and  the crispy pork was irresistible. I have made those French Laundry-style dumplings a few times since I first posted about them here and now they have become much easier to prepare. The filling is a bit based on the recipe in The French Laundry book for fava bean filled agnolotti and it includes the peas (blanched and shocked in ice water), ricotta as well as a bit of fine fresh breadcrumbs to give it more body.

Pea Agnolotti3 Pea Agnolotti4

Since I wanted a more refined dish I decided to make a clear consomme from the pork stock as opposed to leaving it as is, delicious but slightly “cloudy”. It would still taste great but just would not look as nice. The traditional method for making consomme is the one from the Escoffier days or earlier. It involves whisking egg whites, ground meat and some vegetables into the stock. This coagulates and forms a “raft” that traps all impurities and you strain off the clear stock.

Pork Stock-Agar2 Consomme

I opted for the more modern and much less labor intensive Agar clarification. I first learned about it from Dave Arnold’s Cooking Issues blog and posted about it before. The idea is to gently set the liquid with agar then, through a cheese cloth, squeeze and strain the clear consomme leaving all impurities stuck in the Agar web. I recorded my before and after weights for the stock to see how much I would lose and I started off with close to 750gr of stock. I ended up with around 500 gr of clear consomme. Not a bad yield for a very easy method that produces crystal clear result and pure flavor.

Pea Agnolotti-Pork3 Pea Agnolotti-Pork-Consomme3

To plate, I served the boiled dumplings and topped them with chunks of crispy pork. I added some reserved blanched peas to the plate as well. Then I heated up the consomme and seasoned it with salt and maple vinegar before pouring it around and over the pasta and pork. As a last touch I added a few drizzles of walnut oil and fresh thyme leaves.

Pea Agnolotti-Pork-Consomme

Alinea: PERSIMMON, Aroma Strip, Carrot, Red Curry

Persimmon-Aroma Strip

Persimmons are one of my favorite fruit. I bet one does not hear that too often, but these orange fruits really are one of my favorites. To be specific I am talking about the acorn shaped Hachiya persimmon not the squat round Fuyu one. The Hachiya persimmon is very astringent and really inedible unless very soft and ripe. The flesh turns to a sort of honey flavored fruity jelly when that happens. That’s when they are perfect and sublime. I remember eating dozens of them in Lebanon during their season, usually autumn through winter.

Hachiya on the left and a Fuyu on the right

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That was my excuse to make this recipe, even though Hachiya persimmons are a bit tough to find. Another reason to make this was the various techniques in there that I’ve not tried before from the complex (making carrot curry raisins using reverse spherification) to the simple (“steaming” a cake in a bag in a heat controlled water bath).

Persimmon-Aroma Strip9

What we have here is a crumbly mix (pistachio brittle, dehydrated carrot foam, tapioca maltodextrin, pistachio shortbread) that covers a very interesting caramelized milk ice cream and a cake/pudding of persimmon. Around those main components we have glazed carrot, ginger sphere, carrot curry “raisin”, date puree, braised pistachios and two types of “films” (a spiced strip and a fennel-mint film).

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I first got to making the ice cream. Most ice creams in the Alinea book are not traditional in that they use less sugar than normal, little or no eggs and are designed to be used with a PacoJet machine that finely “shaves” the frozen ice cream cylinder into perfectly smooth servings. Lacking a PacoJet, I usually adapt the ice cream recipes into something more appropriate for my ice cream maker and freezer like the buckwheat ice cream that I prepared a couple of times. This time though I decided to try the recipe as proscribed to see what I come up with. I figured I had a couple of weeks before I need to serve this and if the ice cream comes out too crappy, I’ll scrap it and make another batch.

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The ice cream is based on caramelized milk. A combination of milk, some half and half, dried milk, very little sugar and honey go in a Foodsaver bag and are cooked for several hours. The idea is to caramelize the natural sugars in the milk turning the mixture a tan color. I was very curious how this would come up and indeed the mixture turned a light tan color but a bit lighter than I would’ve expected. After cooling, the ice cream gets churned and frozen till service time. Now, as expected from such a low sugar and relatively low fat ice cream, the texture right out of the freezer was not great. It was frozen solid and a little bit grainy. After a few minutes on the counter though the texture improved a lot. The flavor was very interesting. It is not an ice cream I would ever serve by itself. It is not sweet, very milky and has a flavor that reminded me of evaporated milk.

Persimmon Puree Persimmon Cake

Making The persimmon cake is pretty simple. Just puree the persimmon flesh with flour, pistachio flour, sugar, eggs, butter, spices and citrus zest. The mixture then goes in a Foodsaver bag and is cooked for a few hours in hot water. The cake is then cooled and re-warmed before serving. The taste is delicious, sweet and rich with spice and butter.The texture is a lovely mix of pudding and cake. I will certainly be borrowing this technique possibly with other flavors to make tender cakes or puddings.


There are several pistachio preparations in this dish. The braised pistachios are the simplest. Just cook some pistachios with water, sugar and pistachio oil. Reserve them in some of the cooled cooking liquid.

Braised Pistachios

Pistachio Shortbread1

The pistachio shortbread is part of the “crumble” mixture and uses pulverized pistachios, butter, vanilla and eggs. It is then cooled in the fridge to make it manageable (it has lots of butter) and then rolled into a block and baked. The shortbread is delicious on its own and leftovers made for great coffee accompaniments for a week or two. It had a lovely pistachio flavor and a tender texture.

Pistachio Shortbrread3

Pistachio Brittle

Another pistachio crumble component is the brittle. Again this makes for an addictive and tasty stand-alone recipe. To make it, I brought sugar to the caramel brown stage and tossed in toasted pistachios and baking soda. The soda reacts with the acidic environment causing the caramel to bubble vigorously creating lots of bubbles. The mixture – like pistachio lava- gets dumped on a Silpat to set and harden.

Carrot Mousse Crumble Mixture

Those orange specs in the crumble mixture are pieces of carrot foam – dehydrated carrot foam. Carrot juice is mixed with sugar and Methocel F50 and cooled. The mixture is then whipped to form a fluffy mixture very similar to a light mousse but has the pure flavor of carrots. Very tasty stuff. The mousse is spread on an acetate sheet and dehydrated for much longer than the recipe specifies until I got a cracker-crispy sheet of carrot mousse.


To bring the crumble mixture together I mixed pistachio oil with N-Zorbit Tapioca Maltodextrin (I’ve mentioned this product that makes powders out of oils a few times before like here and here). Then I added coarsely crumbled portions of the pistachio shortbread, pistachio brittle and the crispy carrot mousse. I reserved that in an airtight container until ready to serve.


Speaking of reserving these various components for service I’ve always thought the book should do a better job informing us of the shelf-life or fridge stability of these various components. This is especially critical for someone like me who is making recipes like these over a period of weeks! I did find out that most of these items do last at least a few days if properly stored. The crumble mixture in an airtight container was still perfectly fine a week or more after I originally served the dessert.

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A hydrocolloid that I have never worked with before and yet another reason I wanted to check out this recipe is Pure-Cote B790. The space-age name aside this is basically a modified corn starch that is used in small quantities to help in making really cool paper thin film. Think of those Listerine strips that melt on the tongue. Yeap, using Pure-Cote one could make these films flavored with anything. In this recipe it is used to make a spice aroma strip as well as a green tinted “glass” flavored with an herb called anise hyssop.

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The process for both glass and spice strip is similar. Steep the flavor in a sugar water syrup and mix in the hydrocolloid. Allow that to dry out on acetate sheets overnight and peel off. In the case of the green glass a dehydration step follows making those films into amazingly brittle and fragile “glass”. The spice aroma strip is flavored with cloves, mace, nutmeg and allspice. The green glass is supposed to be flavored with anise hyssop but that is nowhere to be found. It is supposed to taste like a mixture of mint and anise, so what I did was use half mint and half fennel fronds. I think that worked great, had a lovely green tint and a nice burst of flavor. There has to be a typo in both of these components’ instructions in the book though. After mixing the Pure-Cote into the liquid base we are simply instructed to pour it in a thin layer on sheets. This does not work because the Pure-Cote is not hydrated or gelled! and what you end up with is a mixture that separates into starch and liquid like the mixture towards the front of this picture.


After doing some research and looking through my Modernist Cuisine books I confirmed my suspicion that indeed the Pure-Cote mixture needs to be heated up in order to gelatinize the starch. That worked much better (see the mixture towards the back in the above picture). Another reasoning for the book’s instructions might be that at Alinea they use a VitaMix blender and they whip the mixture for a long time at a very high speed which indeed heats it up and hydrates the starch. I do not have one of those yet so I will be gently warming my Pure-Cote mixtures to hydrate them.


To emphasize the warm autumnal flavors and add punches of sweet and sour we have two sauces based on dried fruit. The first is a date puree made from softened dates and ruby Port. It is very sweet as expected and used very sparingly as a dollop to top with the braised pistachios. The other sauce is made from golden raisins and verjus, the mildly tart juice of the sour unripened grapes that works great as a gentle substitute to vinegar in dressings and sauces. Verjus has a fancy French name and is mostly associated with western cuisine but actually -in addition to pomegranate molasses (Dibs Ruman)- it is a traditional sour ingredient in Lebanese cuisine. Many families would make Houssrom, as it is known there, during the summer months when the vines are full of unripened grapes that needed to be culled.


Spherification is something I’ve played with before here and a technique that produces an aesthetically pleasing product as well as a flavor burst. This recipe has two such preparations. The first is the straight-forward ginger sphere. This is a ginger infused sugar syrup that is blended with Calcium Lactate and frozen in small cubes. It is then dropped into an Alginate water bath to form perfect liquid orbs of sugary ginger encased with a thin  film of itself. I reserved these guys in more of the ginger-sugar liquid in the fridge and they lasted perfectly for several days.

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The second sphere is where the Alinea team take this preparation past the “cool trick” stage and transform it into something unique. Since the spheres are orbs of liquid (think grape) why not make raisins out of them? That’s what they do. So, I got carrot juice and blended in some sugar, a small amount of red Thai curry and Xanthan into it. Then I mixed the Calcium Lactate and froze the mixture in hemisphere ice cubes. After dropping those just like the ginger ones into an Alginate bath they went into a small pan covered with a layer of white sugar. More sugar went on top and the spheres were allowed to cure for an hour. During that time the sugar draws a lot of the moisture out of them and firms them up a bit. Lastly, the cured orbs were dehydrated in a very low oven until shriveled and wrinkly, just like raisins. They were delicious with a spice flavor and sweetness that worked great in this fall dish. Their interior was moist and jam-like.



A few more items garnish the plate. One is cubes of Fuyu persimmon that are supposed to be marinated in a type of fortified wine called Pineau des Charentes. I had none and did not really want to seek it out. I decided to pick a liqueur that I think would work in the dish. The crumble mixture is supposed to include a small proportion of honey granIules – another item I did not have. So, I decided to include the honey flavor in the marinated fruit. I vaccum marinated the cubed Fuyu in a Foodsaver canister with homemade honey liqueur instead of the Pineau des Charentes. That turned out well and the fruit gave a burst of sweet honey flavor to the plated dish. Another item was glazed baby carrots. These were thin small sweet carrots, peeled and cooked sous vide with a pinch of sugar. The carrots are warmed right before serving.

ComponentsThe dessert was a perfect fall-winter plate of sweetness with perfect textures and amazing flavors. I loved how the ice cream, very subtle and muted on it’s own, worked perfectly as a cool milky canvas for the strong flavors and textures in the composed dish. It really amazes me how the Alinea team pulls off multitudes of dishes like this during service night after night. Hopefully one day I’ll get to snag a table there and try it out for myself.

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