Category Archives: Sous Vide

Pear, Caramelized Genoa Bread, Chocolate Veil

Pear-Genoa Bread-Chocolate Veil

Francisco Migoya from the CIA (the Culinary Institute of America, not the other CIA) is a superb pastry chef and judging from his books, an excellent teacher. He has 3 books and I got a hold of two of them so far, Elements of Desserts and Frozen Desserts. While I have many high end, modern and professional cookbooks, until I got Migoya’s books, I really did not have any pastry and dessert books that target the professional cook. If you want to go beyond desserts tailored for the home cook and learn the way modern pastry chefs compose and create desserts, these are the books for you. They are geared towards the professional chefs and deal with everything from the basics of desserts, the professional tools of the trades, running a pastry kitchen and of course many beautiful modern desserts. I love reading through those books, looking at all the gorgeous pictures and learn a few things about the creative process, especially for plated desserts like this one here.

Caramelized Genoa Bread2

The flavors are not strange or foreign , just a few primary flavors that work very well together and a modern unique plating. Migoya instructs that no more than three primary flavors should be included in a dessert or else the palate would be overwhelmed. This plate combined pear in the form of ice cream and poached fruit, almond Genoa bread accented with caramel and chocolate in the form of a cool “veil”.

This was my first time trying Genoa bread (aka Pain de Genes) even though I’ve read about it from many sources. It is a cake of sorts made with a lot of almond paste that gives it a wonderful flavor and a dense almost fudgy texture. This makes it ideal as a refined “cake” or building block for plated desserts. It can be flavored with anything from pistachio to black sesame or chocolate. This particular one is flavored with almond praline. I made the praline by cooking almonds with caramelized sugar and pulverizing the mixture. After baking the cake in a sheet pan I cut it into rectangles. Right before serving the bread gets a nice layer of caramel. The process sounds easy but is a bit tricky. It involves melting sugar till it is a dark amber caramel and then rolling the bread rectangles in it to get a thin coating of caramel on all sides. Well, rolling pieces of cake in a liquid lava is no easy feat. I managed to do it but the caramel was a bit thicker than it should be. Still it was a delicious crunchy counterpoint to the sweet soft cake it enveloped.

Almond Genoa Bread

The recipe also includes a pear ice cream (in my book almost any dessert recipe should include a frozen concoction of some sort!). It’s a straightforward ice cream made using pear puree, cream, yolks,…I had no pear puree and decided to make my own. I just cooked some peeled Bosc pears sous vide with about 10% of their weight sugar until fully tender. Then I pureed them, weighed what I needed and froze the rest for another batch later on. The other pear element is caramel-poached Seckel pears. These are those cute small pears about the size of a large chicken egg. To caramel-poach them I made a caramel using sugar and pear cider. I peeled and cored the small pears then cooked them in the caramel until soft and took on a lovely deep color. These were cut into quarters and reserved until serving time.

Pear-Genoa Bread-Chocolate Veil2

Chocolate Veil

It’s really fascinating to me how a final small touch could elevate a dessert of poached fruit, cake and ice cream. I’m referring to what Migoya calls a “veil” here made of chocolate. He uses this techniques in a few recipes in the book incorporating a variety of flavors. It’s basically a solid sauce that covers the dessert components and adds it’s own texture and taste. To make the veil a cocoa nib stock (cocoa nibs steeped in hot water) is mixed with cocoa powder, sugar and low-acyl gellan gum (a gelling agent). This is then poured in a sheet pan until set and then cut into large squares that get draped over the plated components. I was really worried about this step and figured it might get to be very tricky but overall it was pretty straightforward and worked well. The cut chocolate veil squares keep very well for a few days between squares of acetate in a tightly closed container in the fridge.

Pear Ice Cream-Genoa Bread

To plate, I put a pile of crumbled caramelized genoa bread and almonds next to a piece of the cake and used that as an anchor for the ice cream. The whole thing gets covered in a chocolate veil and topped with a piece of the fruit. A small cut with a paring knife on the veil reveals the ice cream underneath it. The finished plate is as delicious as it is beautiful. It has a perfect combination of textures and flavors from the bitter to the nutty and sweet.

Pear-Genoa Bread-Chocolate Veil3

Wild Duck, Cabbage, Fried Hominy and Red Wine Beet Sauce

Duck-Hominy-Cabbage2

I’m still working on my wild duck cooking skill and the best result I’ve gotten so far is through removing the breasts and legs and cooking them separately. I’ve made a “quick salad” for my kids and I recently and I basically sautéed everything for different times and then sliced and served on top of a tart green salad. That was very nice and I achieved the well cooked crispy legs I complained about missing in this post. I also managed to get the breasts to be medium with a crispy skin, but some parts were over-cooked a bit and overcooked wild duck is not a very good thing.

Baked Duck Legs

Wild Duck-Legs-Breast

For this dish I took it to the next logical level and did what experienced cooks and chefs always instruct us to do: cook the breasts and legs separately each to their optimum doneness. It’s that “optimum doneness” part that can be a bit tricky while shooting for a crisp skin on such lean small birds. The way I tackled it is to cook the breasts sous vide and the legs baked in a very hot oven. The legs were well-done and crisp and the breasts were a lovely medium rare and a nice rosy color, even after a quick sear in a hot pan to crisp the skin. Before cooking the meat I simply salted it and rubbed it with a bit of thyme the night before and the breasts were packaged in FoodSaver bags with a bit of butter in  there before going in the  water at 55C for about an hour.

To go with the duck I made red braised cabbage and fried hominy cakes. The cabbage is from Gordon Ramsey’s “*** Chef” that I posted about a while back. It’s a very simple recipe of cabbage, butter and vinegar. The end result is delicious and very flavorful, much more than the sum of its parts. The hominy cakes are another direct rip off from Hank Shaw where he also pairs it with duck, canvasback to be exact. I followed Hank’s recipe verbatim and it worked perfectly. The grits cakes held together and had a great crispy exterior and a lovely soft interior. The flavor was mild and it really offset all the other robust flavors in the dish from the duck, cabbage and sauce. The dish needed the texture and the cakes delivered it in strides. The bread crumbs I used were made from a loaf of bread I baked with poppy seeds and that’s why the cakes’ crust has all these little black specs in it. That looked pretty neat and worked well with the sort of Germanic theme of dish.

Hominy Grits Cakes

Hominy Grits Cakes2

The sauce here is based on the duck carcasses. After removing the breasts and legs, I cut up the remaining bones and trimmings and made a stock with them. I wanted the stock to be robust and full of flavor, so I first roasted the cut up oil-rubbed carcasses and sautéed a bunch of aromatics in the drippings in the pan. Then I deglazed the pan with Madeira and sherry vinegar. Everything went in the pressure cooker and cooked at 15 psi for about an hour and half. I ended up with a good 1.5 quarts of amazing duck stock. I used about a cup for the sauce and the rest is now frozen for other applications (possibly an oyster and duck gumbo to use up the last three birds I have in the near future). The sauce is prepared like a traditional red wine sauce made by simmering red wine and aromatics with the addition of chopped fresh beets. I added the beets for color and flavor, another item that to me sounds Germanic as well. After the wine is reduced I added in the duck stock and allowed that to reduce a bit as well before enriching with a bit of butter. The sauce had everything I was looking for a rich color and deep flavor.

Duck-Hominy-Cabbage

Striped Bass and Oyster on an Edible Beach

Striped Bass-Beach

This dish came about because of the edible stones from Mugaritz that I posted about recently. I did not want to spend a good bit of time making the potatoes to look like stones just to serve them as is, a bite or two of food. So, why not spend much more time and incorporate them into an actual dish? the potatoes reminded me most of beach or river stones so fish was the first to come to mind. Then of course I remembered Heston Blumenthal’s very famous “Sound of the Sea” dish at the Fat Duck. that dish has a variety of seafood, served on a “beach”  complete with sand, sea foam, weeds, shells and to gild the lily an iPod! The iPod plays gentle beach and wave sounds as the diner enjoys the dish. The idea is that all of our senses are related and that we are much likely to enjoy the dish if every sense was immersed in the experience. Another of Blumenthal’s findings regarding sound and food: potato chips seem much crunchier and fresher if you eat them while listening to crunchy sounds? Anyways, back to the dish.

Striped Bass-Beach2

I made my beach scene based on the recipe from the Fat Duck but simplified it a good bit and went with what I had. The “sand” mixture from the Fat Duck includes powdered kelp, blue shimmer powder (no idea what that is), carbonized vegetable powder (I’m pretty sure this is burned vegetables), dried baby eels, fried Panko bread crumbs, tapioca maltodextrin, spices, salt,….I stuck with the bread crumbs, the powdered kelp, ground up hazelnuts, black pepper and the maltodextrin. Really the maltodextrin is the one that gives it a perfect sandy texture and make it just melt in the mouth when eaten. So, it is essential here.

Sand Mixture

Sand Mixture2

For the seafood, I wanted at least one fish and a shellfish or two. I intended to use clams and mussels for the shellfish but the couple of stores I went to did not have any decent ones. So, I settled on good quality shelled packaged oysters from Louisiana. For the fish I stopped by a favorite of mine, a large Asian grocery store that always has excellent whole fresh fish in addition to a few live ones. The striped bass looked the best so I picked one and asked the guy behind the counter to gut and scale it but leave it whole. When I got home I rinsed the fish well and filleted it. This gave me 4 nice bass portions. It also gave me some bones and the head to make stock that I need for the sea foam sauce. I made the fish stock sous vide for the first time per the instructions in the Modernist Cuisine at Home book. I packaged the bones and head with a lot of aromatics and some white wine and vermouth and cooked it at 80 C degrees for 1.5 hours. It made for a marvelous stock with clear color and a perfect flavor. Fish stock should not simmer much or boil at all so cooking sous vide makes perfect sense. It also eliminates evaporation which concentrates the flavor by not allowing any aroma to dissipate into the air with the steam. Another stock by the way that is amazing prepared sous vide is vegetable stock.

Striped Bass-horz

I cooked the fish sous vide and crisped the skin right before serving. For the oysters I also cooked them sous vide but included a good dose of garlic and parsley butter in the bag. With the seafood cooked, the “stones” and alioli good to go, the “sand” is ready and my fish stock is prepped, I focused on finishing the sauce which forms the beach   foam as well as preparing some “shells”. The shells are shallots that I separated out and poached till tender. Then I tossed them in some Ponzu sauce right before serving. For the sauce, I warmed the fish stock and mixed in the juice from the oysters then seasoned it with soy sauce, salt and pepper. To finish it and foam it a bit I added soy lecithin and blitzed it with the hand blender.

Striped Bass-Beach3

To plate the dishes,  we (since I was preparing several plates Diana helped a lot with plating) put the “sand” down  on one side of the plate and then added a few dollops of the alioli on top for the “stones” to sit on. Then on the side of the sand went the fish and oyster followed by the foamy sauce on the edges of the sand. Then the garnishes went on including the  “shell” shallots and a few green leaves as a stand in for sea weed that I had not time to shop for. It all worked great and my in-laws who stopped by for dinner that evening enjoyed their whimsical meal very much. It’s always a relief when experimental dishes like this one work out when guests drop by and we don’t have to order pizza or something. The plate had a lot of flavors that worked perfectly and of course a lot of textures ranging from crunchy to soft to somewhere in between.

Striped Bass-Beach6

Thai Curry Pork, Forbidden Rice and Watermelon

Thai curries are one of my favorite south Asian foods that I don’t cook as much as I should. Every time I make it at home from scratch by pounding (actually, usually I use the food processor and then finish the paste in the mortar) together chilies, lemongrass, shallots, galangal and a host of other ingredients I tell myself that I really should do this at home more often. This time with this dish it is no different. It’s a piece of crispy fatty pork, black sticky rice (I like its other name though: forbidden rice), a nice salad of marinated and seasoned watermelon and a rich red Thai curry paste in coconut milk.

The watermelon salad here was inspired by a post on the Ideas in Food blog. It’s a take on the Thai green papaya salad. That’s usually made by finally shredding unripe papaya when the fruit is still green, crunchy and a little tart. It’s then mixed with mashed garlic, some dried shrimp and fish sauce. To make it more substantial, David Thompson in his book Thai Food, tops it with caramelized pork belly! For the watermelon version here, I used the part of the fruit that has a lot of that white pith closer to the green peel. I cured it by sprinkling the slabs of the watermelon with salt and Thai palm sugar and vaccum packing it in FoodSaver bag. After sitting in the fridge for a good 12 hours, I sliced it thinly and dressed the fruit with fish sauce, lime juice, garlic and chopped peanuts.

To make the pork, a tasty shoulder from a free range pig, I seasoned it with salt and sugar and cooked it sous vide for a long time (about 48 hours). Right before plating it, I cut the meat in long thick strips and crisped it in hot lard. Good quality pork cooked like that is tender, juicy and delicious. I enjoyed a couple of pieces on their own before picking the few I was going to actually plate.

The rice got a good soaking and then it was steamed to cook it. The rice ends up perfectly cooked with a nice toothsome texture. The taste is very nutty and can stand up to the strong flavors of the curry and the watermelon salad. This rice also makes a wonderful traditional south east Asian dessert when cooked with palm sugar and coconut milk.

The curry paste is also adapted from Thompson’s Thai Food. His recipe for a traditional red paste includes a lot of dried chilies that give it its red brick color. Since my wife does not like spicy food I cut down the quantity of the chilies significantly and used a large red bell pepper instead. That kind of messes with the balance of the paste and to make up for it I upped the amount of lime juice in there as well as adding a tablespoon or two of paprika. Not very traditional additions, but the paste was very nicely balanced in the end. To prepare the curry  sauce I needed to separate the coconut cream from the milk and use that fat to cook the paste before adding the rest of the milk into the pot. To do that I chill the can of coconut milk so the cream can solidify on the surface slightly. Then it’s a matter of spooning the cream off and heating it in a pan until the oil separates. I added half the paste (the rest went in the freezer for later) and fried it for a few minutes. Then I added the rest of the coconut milk along with a little stock to thin it. That transforms the red paste into a nice deep yellow sauce.

The pork, curry, nutty rice and watermelon with a garnish of chilies and cilantro made for a delicious dish but I still had a good bit of curry sauce and rice leftover. I wanted to use it that same weekend with a fish or shrimp dish. Fresh water fish like catfish or Tilapia work really well here and I used the latter. I cooked the fillet sous vide to the perfect tenderness. I plated the fish on top the black rice in a pool of the curry sauce and several dollops of a green cilantro sauce. The sauce made with blanched cilantro and a little basil, pureed with very little water and Ultratex-3 to thicken it. I did make a little pungent garnish for this one with thinly sliced shallots, lime juice, chilies, and fish sauce. It was every bit as good as the pork dish (well, almost…Tilapia cannot compete with great porcine!). Too bad I did not have my camera when I made this one, so all I got is this phone photo.

Short Rib, Chard Ribs, Eggplant, Yogurt

It might not look like it, but this dish’s inspiration and flavor is Lebanese. I love swiss chard ribs, those central stalks in each  leaf that usually get thrown away. My mom always quickly boils them and tosses them with tahini, garlic and lemon juice. I was eating some of those recently and wanted to make them part of a more substantial plate. Lamb came  to mind first, but Diana is not crazy about lamb. So, beef was my other option and short beef ribs seemed like they would work best with the chard ribs. The eggplant and yogurt made sense as natural companions flavor and theme-wise.

The beef ribs were cooked sous vide for 72 hours. They were tender but not mushy or falling apart. Before serving them, I browned them in some heavily seasoned clarified butter. In Lebanese cooking Samneh is the name for clarified butter and it is used extensively as both a cooking medium and for flavoring. To season it I used a spice mix that I get from my grandmother every time I am in Lebanon. I usually pick up a good size bag of the mix and store it in the freezer. It’s made form a mixture of whole spices and herbs including allspice, marjoram, anise, rose buds, cinnamon and a few other varieties. Typically, I just grind as much as I need in the spice grinder. I melted the clarified butter and added a couple of large pinches of the ground spice mixture. That warmed and heated up a bit before the fully cooked boneless ribs went in for a nice spiced butter bath. That also helped them get a very attractive dark mahogany color in addition to a spectacular exotic flavor.

I used swiss chard in two forms here, the sauced whole ribs and a ragout made from the ribs and leaves. I was hoping to retain the nice red color that red swiss chard ribs have so instead of boiling them as is typical, I cooked them sous vide in a pouch with herbs, garlic and a little olive oil. Unfortunately, it seems that the red color is not just water-soluble, but also not very heat-stable. The ribs ended up losing most of that color when cooked. I selected most of the nice looking ribs and left them whole, the rest got diced up to use in the ragout. The whole ribs were dressed with a walnut-tahini sauce. The sauce is just an update of the classic tahini+garlic+lemon juice+cumin with the addition of finely chopped walnuts. It worked very well with every component on the plate.

For the ragout of chard, I diced the rest of the cooked ribs and chopped the blanched leaves. I then cooked these with plenty of shallots and chopped walnuts in clarified butter. I tossed in a few sliced dried apricot and seasoned the mixture with black pepper and pomegranate molasses. It ended up delicious, with a good peppery kick, sweet-tart flavor and a touch of bitterness. This combination went great with the rich beef ribs.

The eggplant is based on a traditional Lebanese eggplant puree called mtabal. Typically, like it’s close cousin Babba Ghanouj, is made from eggplant that is cooked over charcoal in its skin until that turns black and charred. It is then peeled and pureed with flavorings that include garlic, lemon juice, cumin and in the case of Babba Ghanouj tahini sauce. I wanted something a bit more refined for this so I opted to cook the eggplant (I used the slender Japanese type)  sous vide along with olive oil, grated ginger, salt, Aleppo pepper and a little water. When completely soft, I pureed the  eggplant and it’s cooking liquid with a bunch of blanched cilantro and a small handful of blanched parsley. Last minute adjustments included the addition of some Meyer lemon olive oil, smoked paprika and lemon juice.

The yogurt dumplings are a variation on the yogurt spheres that I posted about here a while back made using an Alginate bath. In this case, instead of loosening the Labneh (Greek-style strained yogurt) too much, I left it fairly thick and seasoned it lightly with salt. Due to the thick consistency, the yogurt does not form perfect loose spheres, instead it makes nice slightly misshapen dollops when the skin forms around it. When plated the yogurt looks a lot like a dumpling and gently oozes a thick sauce when the skin is pierced. It was a very cool use for the of the spherification process and worked great in taste, texture and look.

About two or three weeks before this dinner I dehydrated red bell peppers and tomatoes. I knew I would be using them for something and this seemed fitting. To do that, I thinly sliced the fruit on a mandolin and laid them on parchment covered baking sheets. I seasoned them with a touch of salt and ground coriander seeds. they dried in a very low oven (around 165F) for about 12 hours until they turned crispy. They looked very neat and had a delicious concentrated flavor. Stored in an air-tight container with a disicator  packet they came out perfectly crisp still and probably would’ve lasted a few more weeks.

To plate the dish, I spread some of the eggplant puree on the rectangular plates with the spiced short rib on one end along with some of the sauced chard ribs. I used the chard ragout as a base for the short ribs and placed a couple of yogurt dumplings on top of the eggplant puree. These were seasoned with a bit of the spice mix and a few strands of saffron. Some of the tahini-walnut sauce also went on the eggplant in the form of small dollops from a squeeze bottle and on the short rib to act as anchor for a little garnish of cilantro leaf and scallion rings. The last garnish was a couple of “rings” of the dehydrated red bell pepper and tomato.

Cod, Lentils and Chips

This is loosely based on an Alinea dish that has something like 30 different components. The Alinea recipe combines flaky white sea bass with lentils, a variety of mushrooms, purees, and a red wine glaze. Compared to my not very successful butternut squash dish that had the benefit of a lot of planning, this dish came together naturally, quickly and was a lovely dinner. I basically had the white cod and some time on my hands. I remembered the Alinea dish and borrowed the idea of combining the fish with lentils and enoki from it. I also remembered a dish from Modernist Cuisine, based on an Eric Ripert recipe, that combines Escolar with beurre rouge (red wine butter sauce) and little rounds of fresh potato chips. Fancy fish and chips!

To prepare the french Puy lentils I cooked them till soft and then stirred in finely diced and sautéed vegetables and aromatics. I seasoned them with fresh thyme and some of my homemade red wine vinegar. They had a perfect bright flavor and a wonderful “pop”. The potato chips were so good the kids and I almost ate them all before I got a chance to even start plating. I first thinly sliced a russet potato on a mandolin and then used a small cookie cutter to stamp out perfect little rounds. I am supposed to only use these rounds in the dish and dispose of the other pieces where the rounds where cut from, but after frying them all up they just had a very neat look. So I decided to plate them along with the perfect little rounds. The potatoes really elevated the dish. They gave it a refined look and added a ton of texture and flavor.

Now, on to the “broken” red butter sauce. It’s not supposed to be broken of course, but I used it anyways. It was too late to make anymore and really it tasted and looked fine. Many a modern recipe, like those in the NOMA book, specifically go for this non-emulsified sauce look.  I have tried to make this particular recipe for beurre rouge that uses xanthan gum from Modernist Cuisine three times now.  The recipe has you make a reduction of red wine and aromatics, just like a traditional method. Then you whisk in xanthan and then the butter. The gum is supposed to make the sauce more stable and prevent it from breaking. Well, it breaks every damn time. I am not sure what the problem is, but I know that next time I will be making it the old-fashioned way. It might be more temperamental, but it has never broken on me.

I cooked the fish sous vide after bagging the fillets with a few knobs of butter. For Diana, as usual, I quickly seared the fish right before serving. She loves a bit of color on her fish fillets. For me, I did not sear it. I much prefer the pure white and perfectly cooked fish. For the Enoki mushrooms, I made a butter bath (that just sounds nice) in a small sauce pan and gently poached them in there. I seasoned them with salt right before plating. Last component was the asparagus. I quickly blanched the spears in boiling water and then dropped them in ice water. I only wanted to use the tips, so I cut them off and warmed them in the same beurre monte that I used to poach the mushrooms.

65-Hour Beef Short Ribs, Vegetable Fried Rice and Glazed Ginger Carrots

In the Momofuku cookbook, the source for this recipe (or most of it at least), David Chang calls it 48-Hour Short Ribs referring to the time he keeps the beef in the water cooking sous vide. He serves it with the reduced marinade/braising liquid from the sous vide bags that the beef is cooked in, braised daikon and scallions. Well, due to some timing issues and because I like the 72-hour short ribs (as recommended by Modernist Cuisine) I ended up cooking the meat for around 65 hours. Sous vide, if you know what you are doing, is very forgiving and this made a fantastic weeknight dinner.

The marinade which doubles as a braising liquid is made by simmering together a mixture of soy sauce, mirin, scallions, carrots, garlic, fruit juices and sesame oil. The marinade is cooled and divided up in the bags with the trimmed beef short ribs. The beef is then cooked for 48 to 72 hours at 60 C (140F) until most of the collagen is melted and the beef has the texture of a tender aged steak. At serving time, I shallow fried the beef in grape seed oil to crisp and brown the exterior. I decided to forgo the braised daikon and opted for a more substantial carb-heavy side for the ribs. I made fresh fried rice loaded with vegetables and eggs. I also cooked carrots sous vide with ginger and then sliced them and glazed them with butter before serving. The rice worked perfectly to complement the ribs and sop up all the sauce. As a garnish, I topped the meat with a few dollops of pickled mustard seeds. They don’t just look really neat but they also add a lovely pop and their tart bitterness rounds out all the rich flavors very nicely.