British food is good. It could be great. To me, it is comforting, historic, classic and kind of cool in a way. Thankfully over the last few years chefs like Fergus Henderson, Heston Blumenthal, Marco Pierre White, Jamie Oliver and many others are making it a point to celebrate the classic food of Britain. In some cases chefs like Blumenthal are digging very deep (I have a post about that coming up soon) into the roots of historic English foods and modernizing them. That’s exactly what Chef Blumenthal is doing at his restaurant Dinner in London.
This post is not about modernist takes on British food though. When I think of British food something like this delicious comforting beef and Guinness pie come to mind. There’s a whole slew of meat-in-pastry type pies in this cuisine that range anywhere from crayfish to steak and kidney. This particular recipe is from Jaime Oliver’s Great British Food. Oliver actually calls it “Will and Kate’s Steak and Guinness Pie” in honor of the royal wedding a few years back. He puts a few twists on the recipe like including barley and cheddar cheese in the filling. That was part of the reason why chose to give his version a shot.
The beef shanks from Yonder Way Farms are one fantastic cut of beef. I use them for everything from beef stew to beans and even Osso Buco. They are rich with a lot of flavor and lots of collagen that makes great braising liquids. More often than not, as I did here, I slip the marrow out of the bones and save it for another use. The filling of the pie is a stew with the beef, lots of red onions and some barley cooked in Guinness and beef stock.
When the stew is done I added in shredded sharp cheddar cheese. This touch is very nice. It makes a savory stew even more so, adds creaminess and substance. While the stew cooked and cooled I made the pastry.
The pastry is made very much like a pie or tart dough but instead of butter it uses suet. Suet is beef fat from around the kidneys. It is very firm and can actually be grated like butter or cheese. No one really sells suet in Houston and I did not want to pay for it online from some source (I might give that a shot at some point to see how different it is). What I do have is plenty of pork lard. So, the suet pastry became a rich pork lard short pastry. It was easy to work with and had a great flaky texture with a deep savory taste.
To serve it, what better and more British side to go with this pie than steamed veg? The key here is to put the vegetables in the steamer based on how fast or slow they cook. I steamed carrots with some peas and some Romain lettuce at the end. These got tossed with a bit of butter, a drizzle of vinegar and salt. They were perfectly cooked with great texture and flavor, a perfect accompaniment to the rich beef and ale pie.
It’s a rare chance to see something really new in movies and I think Her is one of those instances. It is original in look and concept. The premise is silly I suppose, guy falling in love with his very intelligent operating system but it’s more than that. It is charming, sweet, very funny and incredibly uncomfortable to watch at times.
I like movies and TV shows (Rubicon anyone?) that portray the drudgery and balancing act of spy work. I loved the other recent film based on a Le Carre novel and this one did not disappoint. Pillip Seymour Hoffman delivers a very good performance in one of his last roles. He plays the gruff German intelligence officer Günther Bachmann. He is masterminding a high wire act with a small crew to slowly flush out a terrorism network revolving around a Chechen man who was imprisoned and tortured in Russia before making it to Hamburg. The problem is that quick results and high profile arrests are more attractive in this world. Günther meticulously builds alliances, informants and collaborators while at the same time trying to buy time from his superiors as well as the CIA. A Most Wanted Man is a slow film but it is smart, intense and very well crafted and acted (loved Willem Dafoe and Rachel McAdams as well here) from the the first minute to the heart-breaking conclusion.
Horrible Russian accent, a plot you could not care less about and annoying characters. This is a movie that really did not need to exist.
Every year for New Year’s Day I usually have a Cotechino served with lentils on the table for dinner. I posted about this Italian sausage before here. It incorporates a good proportion of pig skin into the meat mixture and ends up with the most amazing unctuous rich texture. It’s all offset by balanced spicing and sharp flavors that accompany it.
Cotechino is great with lentils, potatoes or polenta. I was going back and forth between serving it with the lentils or the polenta. Eventually I decided why not do both while at the same time dress the dish up a bit and sharpen the plating and the flavor. I also tried some new methods to take my pictures this time around going mostly manual as opposed to allowing the camera to pick the settings. There is a lot of room for improvement but I like the end result and am hoping to keep playing with that.
On prior occasions when I made lentils to accompany the sausage, I primarily relied on a recipe that added tomatoes, stock, rosemary…That was a bit much. The sausage alone has a ton of flavor and does not need a heavy-handed side dish to clash with it. So, this time around I made a basic lentil stew. I used, as always, Puy lentils and just cooked them in sautéed onions, celery and garlic before stewing them gently in water with some fresh thyme thrown in. A final dash of salt and vinegar as well as a helping of salsa verde (more about this in a minute) rounded the lentils out very nicely.
I prepared the polenta in the oven (about 4:1 water to polenta ratio, cooked uncovered at 350 F for about an hour). I allow it to set spread about 1/2 inch thick and then cut it into circles. These get a quick dusting of flour and then pan-fried in olive oil to crisp them up.
I wanted another layer of flavor to the dish and a salsa verde is it. This is one of my go-to sauces for everything from salmon to steak. It’s not the Mexican one that incorporates tomatillos in it. This Italian salsa verde is a herb sauce composed mostly of parsley. It’s basically chimichurri’s much better sister (sorry Argentinean sauce lovers!) I try to incorporate some portion of basil in there as well and even a few mint leaves if I have them. These get chopped up (as fine or coarse as you like – I like it on the fine side) with capers, a garlic clove or two, sour pickles and a couple of anchovies. To bring it all together a very healthy dose of olive oil is stirred in along with red wine vinegar, salt and pepper. Once you make it a couple of times you’ll get the hang of how you like it and can adjust the quantities of the ingredients accordingly. I first heard of it many years ago in Jamie Oliver’s first book and I still like to prepare it like he does, just start chopping the parsley and add more ingredients to the cutting board…chop chop…add a few more ingredients…chop chop…as you go. It’s a marvelous sauce with great flavors and textures.
I tried a new time and temperature to cook the Cotechino sous vide this time as well. Per a suggestion from Jason Molinari I reduced the temp to 68.3 C and cooked it for longer, 24 hours. I like the result a lot but I think there is still room for improvement. Dropping the temperature to around 65 or 62 C and cooking it for anywhere between 24 and 36 hours might be even better next time around to preserve more moisture and flavor. I sliced the sausage and topped a few of the slices with grated Parmesan cheese before searing all the slices on both sides. The final dish was exceptionally good. Not too heavy, cloying or greasy at all. The flavors worked great and the green sauce looked awesome and was a spot-on complement to everything.
The film really looks great even though it is set in suburbia. It has a strong cast, some are used better than others but most are very good. It has some excellent intense moments as well. The problem is that all these pieces do not come together to make this the excellent film it could’ve been. What we get instead is a procedural that is trying very hard to be meaningful and important. It neglects to be…smart or to make sense at times. Characters behave in nonsensical ways for no reason. It also goes on for far too long. Prisoners is not bad, it is just a painfully long missed opportunity.
If it was not for Michael Shannon, I would not have given this another look on Netflix. It’s a biopic of sorts of the infamous mob hitman Richie “Iceman” Kuklinsky. Shannon delivers a good performance but the film was a bit boring.