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Duck-Hominy-Cabbage2

I’m still working on my wild duck cooking skill and the best result I’ve gotten so far is through removing the breasts and legs and cooking them separately. I’ve made a “quick salad” for my kids and I recently and I basically sautéed everything for different times and then sliced and served on top of a tart green salad. That was very nice and I achieved the well cooked crispy legs I complained about missing in this post. I also managed to get the breasts to be medium with a crispy skin, but some parts were over-cooked a bit and overcooked wild duck is not a very good thing.

Baked Duck Legs

Wild Duck-Legs-Breast

For this dish I took it to the next logical level and did what experienced cooks and chefs always instruct us to do: cook the breasts and legs separately each to their optimum doneness. It’s that “optimum doneness” part that can be a bit tricky while shooting for a crisp skin on such lean small birds. The way I tackled it is to cook the breasts sous vide and the legs baked in a very hot oven. The legs were well-done and crisp and the breasts were a lovely medium rare and a nice rosy color, even after a quick sear in a hot pan to crisp the skin. Before cooking the meat I simply salted it and rubbed it with a bit of thyme the night before and the breasts were packaged in FoodSaver bags with a bit of butter in  there before going in the  water at 55C for about an hour.

To go with the duck I made red braised cabbage and fried hominy cakes. The cabbage is from Gordon Ramsey’s “*** Chef” that I posted about a while back. It’s a very simple recipe of cabbage, butter and vinegar. The end result is delicious and very flavorful, much more than the sum of its parts. The hominy cakes are another direct rip off from Hank Shaw where he also pairs it with duck, canvasback to be exact. I followed Hank’s recipe verbatim and it worked perfectly. The grits cakes held together and had a great crispy exterior and a lovely soft interior. The flavor was mild and it really offset all the other robust flavors in the dish from the duck, cabbage and sauce. The dish needed the texture and the cakes delivered it in strides. The bread crumbs I used were made from a loaf of bread I baked with poppy seeds and that’s why the cakes’ crust has all these little black specs in it. That looked pretty neat and worked well with the sort of Germanic theme of dish.

Hominy Grits Cakes

Hominy Grits Cakes2

The sauce here is based on the duck carcasses. After removing the breasts and legs, I cut up the remaining bones and trimmings and made a stock with them. I wanted the stock to be robust and full of flavor, so I first roasted the cut up oil-rubbed carcasses and sautéed a bunch of aromatics in the drippings in the pan. Then I deglazed the pan with Madeira and sherry vinegar. Everything went in the pressure cooker and cooked at 15 psi for about an hour and half. I ended up with a good 1.5 quarts of amazing duck stock. I used about a cup for the sauce and the rest is now frozen for other applications (possibly an oyster and duck gumbo to use up the last three birds I have in the near future). The sauce is prepared like a traditional red wine sauce made by simmering red wine and aromatics with the addition of chopped fresh beets. I added the beets for color and flavor, another item that to me sounds Germanic as well. After the wine is reduced I added in the duck stock and allowed that to reduce a bit as well before enriching with a bit of butter. The sauce had everything I was looking for a rich color and deep flavor.

Duck-Hominy-Cabbage

In chronological order and from the point of view of one persistent CIA field agent, played brilliantly by Jessica Chastain, we get an account of how Osama bin Laden was found and terminated. The film has many fine qualities, from excellent characters and performances to clear solid directing, but I want to highlight the finale here. Of course, I am talking about the raid that took OBL out in Pakistan. Bigelow does such a phenomenal job with those last thirty minutes or so that I want to just watch that over and over. We get to see the raid clearly from the starting point at a US base where SEAL team 6 takes two choppers to the OBL compound. Then we go with the team as they clear what seems like room by room the sprawling compound. This is intense nerve-wrecking film making even if we know how the film is going to end.

I was a big fan of Solondz’s Happiness. That was disturbing but very well done, engaging and with characters who were interesting. This sequel on the other hand does not quite live up to the source material. It seems a bit derivative and honestly…boring. It’s probably a very good example of suffering from high expectations.

While watching this highly regarded classic, I kept asking myself what modern film tackles a similar subject but using more contemporary technology maybe. There has to be one I kept thinking but I could not think of any. Truth is, The Conversation, is as fresh as it probably was back in 1974. It’s plot revolves around a guy who eavesdrop on people using some 70′s era spy gear and then hears something that forces him to make a decision. It might seem clear what he needs to do, but maybe things are not as they seem. The movie is intricate and subtle with a tight intense plot and fantastic performances from Gene Hackman and the great John Kazale.

I wanted to like this movie a bit more than I do, I just don’t for some reason. Sure, the setting is unique, the actors do a good job, but the premise is something along the lines of “oh, I cannot tell him what I know because it might upset him”?? Anyways, not bad, but not terribly engaging.

From Wikipedia about Harakiri:

“…is a form of Japanese ritual suicide by disembowelment…. The ceremonial disembowelment, which is usually part of a more elaborate ritual and performed in front of spectators, consists of plunging a short blade, traditionally a tantō, into the abdomen and moving the blade from left to right in a slicing motion.”

Argh! That must hurt like crazy and that’s how 13 Assassins opens, in the age of the Samurai and with a deliberate act of Harakiri complete with sickening guttural sounds and a pool of blood. This sets the mood and the tone for this no holds barred Samurai action film. Oh and we get another Harakiri later in the film too. It’s about 13 Samurai recruited to rid the realm of an especially evil and sick lord who due to politics cannot just be removed. The problem is said lord has a few hundred Samurai of his own who, evil or not, are willing to fight and die for him. The film is brilliantly executed and culminates with a phenomenal long (as in 30 – 40 minutes) epic battle between the 13 and the hundreds of Samurai. This was no CGI battle either, but a perfectly choreographed piece of work with archers, sword fights, explosions and hand to hand brutal combat. This is a crazy and amazing movie that is very much worth the time to watch a few times.

Striped Bass-Beach

This dish came about because of the edible stones from Mugaritz that I posted about recently. I did not want to spend a good bit of time making the potatoes to look like stones just to serve them as is, a bite or two of food. So, why not spend much more time and incorporate them into an actual dish? the potatoes reminded me most of beach or river stones so fish was the first to come to mind. Then of course I remembered Heston Blumenthal’s very famous “Sound of the Sea” dish at the Fat Duck. that dish has a variety of seafood, served on a “beach”  complete with sand, sea foam, weeds, shells and to gild the lily an iPod! The iPod plays gentle beach and wave sounds as the diner enjoys the dish. The idea is that all of our senses are related and that we are much likely to enjoy the dish if every sense was immersed in the experience. Another of Blumenthal’s findings regarding sound and food: potato chips seem much crunchier and fresher if you eat them while listening to crunchy sounds? Anyways, back to the dish.

Striped Bass-Beach2

I made my beach scene based on the recipe from the Fat Duck but simplified it a good bit and went with what I had. The “sand” mixture from the Fat Duck includes powdered kelp, blue shimmer powder (no idea what that is), carbonized vegetable powder (I’m pretty sure this is burned vegetables), dried baby eels, fried Panko bread crumbs, tapioca maltodextrin, spices, salt,….I stuck with the bread crumbs, the powdered kelp, ground up hazelnuts, black pepper and the maltodextrin. Really the maltodextrin is the one that gives it a perfect sandy texture and make it just melt in the mouth when eaten. So, it is essential here.

Sand Mixture

Sand Mixture2

For the seafood, I wanted at least one fish and a shellfish or two. I intended to use clams and mussels for the shellfish but the couple of stores I went to did not have any decent ones. So, I settled on good quality shelled packaged oysters from Louisiana. For the fish I stopped by a favorite of mine, a large Asian grocery store that always has excellent whole fresh fish in addition to a few live ones. The striped bass looked the best so I picked one and asked the guy behind the counter to gut and scale it but leave it whole. When I got home I rinsed the fish well and filleted it. This gave me 4 nice bass portions. It also gave me some bones and the head to make stock that I need for the sea foam sauce. I made the fish stock sous vide for the first time per the instructions in the Modernist Cuisine at Home book. I packaged the bones and head with a lot of aromatics and some white wine and vermouth and cooked it at 80 C degrees for 1.5 hours. It made for a marvelous stock with clear color and a perfect flavor. Fish stock should not simmer much or boil at all so cooking sous vide makes perfect sense. It also eliminates evaporation which concentrates the flavor by not allowing any aroma to dissipate into the air with the steam. Another stock by the way that is amazing prepared sous vide is vegetable stock.

Striped Bass-horz

I cooked the fish sous vide and crisped the skin right before serving. For the oysters I also cooked them sous vide but included a good dose of garlic and parsley butter in the bag. With the seafood cooked, the “stones” and alioli good to go, the “sand” is ready and my fish stock is prepped, I focused on finishing the sauce which forms the beach   foam as well as preparing some “shells”. The shells are shallots that I separated out and poached till tender. Then I tossed them in some Ponzu sauce right before serving. For the sauce, I warmed the fish stock and mixed in the juice from the oysters then seasoned it with soy sauce, salt and pepper. To finish it and foam it a bit I added soy lecithin and blitzed it with the hand blender.

Striped Bass-Beach3

To plate the dishes,  we (since I was preparing several plates Diana helped a lot with plating) put the “sand” down  on one side of the plate and then added a few dollops of the alioli on top for the “stones” to sit on. Then on the side of the sand went the fish and oyster followed by the foamy sauce on the edges of the sand. Then the garnishes went on including the  ”shell” shallots and a few green leaves as a stand in for sea weed that I had not time to shop for. It all worked great and my in-laws who stopped by for dinner that evening enjoyed their whimsical meal very much. It’s always a relief when experimental dishes like this one work out when guests drop by and we don’t have to order pizza or something. The plate had a lot of flavors that worked perfectly and of course a lot of textures ranging from crunchy to soft to somewhere in between.

Striped Bass-Beach6

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