I so wanted to love this, but at the end of the day I just liked it. It looks great, has an amazing score and Norton delivers a very good performance as does the whole cast really. Somehow, it felt a bit dull. Not exactly boring but tough to hang on to and care too much about.
Paterson (Adam Driver) lives in Paterson, NJ. He is a metro bus driver/poet. He is married to the eccentric Laura (Golshifteh Farahani). They have an English bulldog. Laura likes to have everything in monochrome black and white. She also wants to be a country singer or maybe a cup cake maker. Paterson drives his bus, listens to conversations of his passengers, has a beer at the bar at night while walking the dog and writes poetry. He also loves William Carlos Williams who is a poet native to Paterson, NJ. This really is more or less the movie, a series of days, repetition and conversations and I enjoyed it very much. Is it about nothing? Maybe. Like all of Jarmusch’s work it either works for you or it really really does not.
Beautifully illustrated and magical this one. This is the story of Chihiru who gets trapped in a fantastical world of horror and myth when she walks into a tunnel with her parents on their way to their new home. I have a lack of exposure to the excellent works of this master of Japanese animation. This is a good start to fix that. There is nothing quiet like his style in its detail and rich story telling.
Good adaptations of Stephen King’s work are few and far between, especially the horror ones. This, the sequel to his novel The Shining, is an excellent one! The extended director’s cut is really worth the extra 20-30 minutes. I love the time it takes with the story, the way it divides it into chapters and how the extent of the horror is right there on the screen. It definitely does not shy away from the more gruesome plot points. The performance that Rebecca Ferguson, as the “steam” sucking evil queen Rose the Hat, delivers is weird, sexy and very dark and horrific. She is great as is Ewan McGregor as the adult Dan Torrance. Then we have the tone of the film and how Flanagan portrays such fantastical aspects in the book like the “telepathy”, “steam”, “shining” or that amazing sequence when one characters is caught in a trap in another’s head. I know! sounds like it should not work but it so does.
When Stalin dies who will succeed him? His top ministers are played by the likes of Jeffrey Tambor and Steve Buscemi among others. They are darkly funny in the only way a black comedy about dictatorship can be. They go about backstabbing each other, gathering supporters, arguing about who should organize Stalin’s funeral, issuing conflicting assassination orders and just being all around slime balls. It is so damn good, funny and kind of informative. Not sure the same can be said for most “biopics”.
As much as they might love their childhood home in the French country side, Adrienne (Juliet Binoche), Frederic (Charles Berling) and Jeremie (Jeremie Renier) are grown up now. They have their own families and goals. One of them is based in China, the other is a journalist in New York. The third sibling is based in France, wants to stay there and preserve their family home. The movie opens with a summer lunch gathering with their mom (Edith Scob) at the house. They discuss inheritance questions while their kids play and goof off in the surrounding fields. Their long term maid/nanny prepares a nice leg of lamb. In a few months their mom passes away and we are along with the siblings as they try to make things work between the three of them. They are all caring and not out to back stab each other. They want to take care of themselves and families without tramping on each other. They also want to make sure their beloved maid is not left with nothing. It is clear the estate will have to be sold and as time passes on the things that where cherished and loved must be left on the past. I loved this movie, possibly because of or in spite of hitting a bit close to home for me. It is another of Assayas lovely and deftly made quiet portraits.
His last one was Blackkklansman and now this ambitious piece of work! Good to see Lee back. This might not be perfect and has it’s meandering flaws but is so good on so many levels. It is worth it if for Delroy Lindo’s performance alone.
It’s a smart take on a sort of classic movie sub-genre. I am not going to spoil what that is and really it is best if one sees this knowing very little or nothing about it. It also feels like a sort of meta take on the whole COVID house arrest we have been living through these days without intending to! The actors are charming and the film really is a deeper meditation on time, life, love and priorities than it seems to at first.