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Making pasta at home is nothing new. I’ve been doing fresh egg pasta, flat, stuffed, hand-rolled or on a chitarra for years. However, making “dry” fresh pasta was not something I’ve tackled. I did not want to invest in a pasta extruder and was not sure it will be worth it. Also, most books never bother with extruded pasta. On a recent visit to William-Sonoma I noticed they had on clearance several small hand-cranked pasta machines that are used to make Rigatoni, Spaghetti and a few other extruded pasta shapes. The machine seemed like a very good deal at $19, so I picked one up to give it a shot. I tried it once using a  pasta recipe from Modernist Cuisine and it worked well. The resulting pasta was ok, but it lacked the “roughness” of good dried extruded pasta since it was made with regular all-purpose flour. Then recently, I got Mark Vetri’s latest book “Rustic Italian Food” and he devotes a good chunk of it to extruded pasta made with 100% semolina. None of my Italian cookbooks ever bother with that!

His recipe could not be simpler, just semolina flour and water. That’s it. He focuses on the importance of drying to obtain the proper texture. After extruding, the pasta is laid on a baking sheet uncovered and dried in the fridge for at least 8 hours. This removes excess moisture that could make it gummy, gives it more structure and helps build that highly-desired al dente texture when cooked. I had some homemade ricotta on hand when I made this first batch of Rigatoni as well as my homemade Italian sausage. So it only seemed natural to toss it all with a quick tomato sauce and enjoy it with a glass of wine. The fresh “dried” Rigatoni had a wonderful texture and held on to the sauce perfectly. I hope my cheap pasta machine will hold for a good while with repeated use (it is mostly plastic afterall). If it breaks, I think a small investment in the KitchenAid attachment for extruded pasta will be in order.

This dish belongs in the spring section of the Alinea book. With ramps and green garlic as two of its main components (ramps goes where that scallions is in the heading of the original recipe) it really can only be served on their Spring menu. Ramps are wild leeks that look like a cross between a leek and a green onion. Their flavor is mild and oniony with a hint of garlic sort of. They are delicious but I almost never see them in Houston during their 2 or 3 week season in the spring. Well, other than the ramps the dish, to me is just right for the fall/winter. It has a rich succulent protein, onions, pumpernickel, Gruyère and a sticky raisin sauce amped up with Worcestershire sauce. Instead of ramps and green garlic, I used a combination of scallions, baby leeks and spring bulb onions.

I started this dish a month or more before serving it by making the pickled scallions as a stand in for the pickled ramps. I figured they will last for some time and it’s one thing out of the way to do. I put the scallions in a FoodSaver bag and vacuum packed them with a mixture of white wine, white wine vinegar, water, sugar and salt. To give them a pinkish hue like the ramps would have, I added a few small pieces of beets in there as well. that worked very well giving the scallions a nice color to contrast all the brown and beige on the plate.

The sweet and sharp sauce for the dish is based on raisins and Worcestershire sauce. These ingredients get mixed in with sautéed onions, garlic and water. The whole thing simmers for a while and then we make two components from it. First is the “sauce”, a pureed portion of the cooked mixture. Then we also make a “ragout” from the rest of the solids (onions, raisins,…) by separating them from the liquid and then mixing in some of the pureed sauce to make a loose relish of sorts. Right before serving, a few chives get blanched and mixed in to the ragout. This dish, like most of Alinea’s food, is as much about taste as it is about texture. Here we have two components that basically have a very similar taste, but very different textures. It all contributes to the final perfectly balanced plate of food.

Caramelized onion powder is used here to season the food in two forms, plain and as a salt. To make this potent stuff you have to cook onions down for a long time, until deep dark brown. The onion mixture is supposed to be “dry” at this point. Problem is that a good bit of canola oil is used to cook it. Oil does not evaporate and the mixture cannot be “dry” as the recipe instructs. So, I drained the onions on several paper towels to wick as much of the oil away as I can and then spread them on a small tray on parchment paper. That went into the electric convection oven to dehydrate for 3 days until the onions became dry and crispy. I buzzed the onions in my spice grinder to make the powder. It worked well, but the onion still had some oil in them and turned to a dry paste instead.  I reserved some of the powder for service and the rest got mixed with ground caraway and salt to make the caramelized onion salt. This “salt” is fantastic stuff. It is full of deep dark caramelized onion flavor with a hint of caraway. I’ve been using it to season all kinds of stuff since I had a bit leftover after making this dish. It is delicious sprinkled on cream cheese that is spread on a bagel and works great on a steak or a pork chop as a last minute seasoning.

The dish is topped with a mixture of pumpernickel bread shavings and Gruyère cheese. I used a homemade rye loaf for the “pumpernickel” slices. I partially froze the loaf and then cut very thin slices off it. These were then toasted in an oven until dry and very crispy. For the Gruyère, I used a microplane garter to make long thin strands of cheese. These were dried for a whole day on some parchment paper until crisp. Then I mixed the cheese and bread together and seasoned the mixture with salt and pepper.

To prepare and cook the pork cheek I used a whole pig jowl I had and vacuum packed it in a FoodSaver bag with a liquid marinade. The marinade is full of strong flavors, namely Worcestershire sauce, garlic, leeks, onions, lots of caraway and allspice. After the vacuum-packed pork sits in the fridge overnight, I cooked  it sous vide at 82C for about 5 hours. As opposed to the actual cheek (only one per jowl) that Alinea uses I needed to make a couple of plates using one jowl, so after the meat is cooled, I trimmed some of the fat off and divided it into a few portions. These then were dipped in heavy cream and coated with Panko bread crumbs on one side before getting pan-fried in oil and then finished with butter in a hot oven.

Right before serving, I blanched a couple of stalks of spring bulb onions as a stand in for green garlic in salty water. After cooling them in ice water I tossed them in warm beurre monte (water-butter mixture) to warm and flavor them. To plate, a small puddle of raisin sauce goes in the bowl, then the ragout, then the pork cheek is seasoned with the caramelized onion powder and added on top along  with a couple of the blanched green spring onions. The whole thing is pretty much covered with the pumpernickel-gruyere mixture and garnished with the pickled pink-tinted scallions and a few chives. Lastly, some caramelized onion powder goes around the edges of the plate. Oh boy was this good. It’s rich, unctuous and full of spicy caramelized onion and pork flavors. The texture combines crunchy, soft and crispy. The whole thing together, probably because of the caraway, is almost an homage to a good deli sandwich on onion rye!

In the Momofuku cookbook, the source for this recipe (or most of it at least), David Chang calls it 48-Hour Short Ribs referring to the time he keeps the beef in the water cooking sous vide. He serves it with the reduced marinade/braising liquid from the sous vide bags that the beef is cooked in, braised daikon and scallions. Well, due to some timing issues and because I like the 72-hour short ribs (as recommended by Modernist Cuisine) I ended up cooking the meat for around 65 hours. Sous vide, if you know what you are doing, is very forgiving and this made a fantastic weeknight dinner.

The marinade which doubles as a braising liquid is made by simmering together a mixture of soy sauce, mirin, scallions, carrots, garlic, fruit juices and sesame oil. The marinade is cooled and divided up in the bags with the trimmed beef short ribs. The beef is then cooked for 48 to 72 hours at 60 C (140F) until most of the collagen is melted and the beef has the texture of a tender aged steak. At serving time, I shallow fried the beef in grape seed oil to crisp and brown the exterior. I decided to forgo the braised daikon and opted for a more substantial carb-heavy side for the ribs. I made fresh fried rice loaded with vegetables and eggs. I also cooked carrots sous vide with ginger and then sliced them and glazed them with butter before serving. The rice worked perfectly to complement the ribs and sop up all the sauce. As a garnish, I topped the meat with a few dollops of pickled mustard seeds. They don’t just look really neat but they also add a lovely pop and their tart bitterness rounds out all the rich flavors very nicely.

I actually did not figure out that I had never seen MI:III until after I saw the latest Mission Impossible film by Brad Bird. I cannot think of why or how? I just had not seen it and in the back of my mind I was thinking that the last movie in the franchise was the awful John Woo version (which is the second installment not the third apparently). It’s possible that after that I simply chose to ignore the franchise and just not bother with it…In any case, I quickly rented this from Amazon to catch up and to fill in a few gaps since MI:IV actually builds a bit on this movie. This was perfectly fine. The villain here played by Phillip Seymore Hoffman is much more interesting than Nykvist from MI:IV and the action is pretty well done. All in all this was a fun time at the movies.

Who knew this would be so much fun and so spectacular in IMAX! It’s the best in the series and quiet a far cry from the semi-turd that John Woo directed (MI:II). This is a properly made action movie that we don’t see much of anymore. The script is…well..it’s not much. It’s basic James Bond crisis with a madman who wants to instigate nuclear war. A nice wrinkle here is that the whole IMF has been disavowed and we have our heroes flying solo with no support and with technology that might or might not work. The movie, like previous versions, goes from one action set piece to the next starting with the Kremlin and ending in Mumbai but what fantastic sequences these were. Probably the most amazing of the action happens in (or more like out of) the tallest building in the world in Dubai. It’s amazing to watch it proceed and that sequence alone makes the IMAX fee worth it. It’s also definitely worth mentioning how good the cast is on this sequel.  I am looking forward to see where they go next.

Steve Coogan and Rob Brydon go on assignment for the Observer to write an article about Northern Britain and it’s fine restaurants. They play themselves or at least a very close version of themselves. They talk a lot, duel at impersonating Michael Cain and many others (Brydon is better at it), bicker about their careers, argue and eat some spectacular food at places like L’Eclume. This really is it, but the film was interesting because they are and for me obviously the wonderfully filmed food was a huge attraction. We also get beautiful shots of the Northern British landscape in winter. It’s an odd sort of voyeurism, all films are, but in something like this it’s more obvious isn’t it? It’s like being the proverbial fly-on-the-wall at these two buddies’ table, car and private rooms at various small hotels. My grade might be too generous, we’ll see, but I like this more the more I think about it.

This really makes a good point for a movie that is not entertainment. It’s a process that one has to go through from the beginning to end with all its depressing lows (a ton of those) and few cheerful highs. Skillfully made and really well acted, it’s as much an understated character drama about real people as it is a road trip film. In a very weird and different way, it is similar to one of my favorite movies, “Y Tu Mama Tambien“, in the sense that we do have a road trip but by the end of it we learn so much about the characters and their motivations while watching them change, mature and reconnect.

I cured my own ham to serve for Thanksgiving this year. This was one huge piece of pork from Yonder Way Farm. It was cured for a couple of weeks before being smoked, braised, glazed and baked. The ham made for a fantastic meal or more like ten meals including breakfasts and work lunch sandwiches. After a couple of weeks of that I still had a large ham bone with a good bit of meat stuck on it. What else to do with it other than a rich split pea soup.

I remembered that Keller’s Ad Hoc at Home has a recipe for split pea soup so I went to review it and found that, of course, it was not your straightforward typical split pea soup. The typical version usually entails boiling a bunch of dried split peas with a ham hock or ham bone and aromatics. The soup is usually very rustic with chunks of pork from the ham and whole split peas. It’s a tasty warming winter dish. Thomas Keller takes those elements and makes a wonderful version that is at once refined, rich and satisfying on all levels. I stuck fairly close to the recipe, but instead of the ham hock I used the ham bone I had. I used the pressure cooker to make a very tasty ham bone broth with onions, leeks and carrots. Then I simmered  split peas in the strained broth until they were soft and almost falling apart. Now, instead of leaving the peas whole Keller has you pureeing the whole thing to make a perfectly smooth soup that has a creamy mouthfeel but has no cream.

To finish, I blanched a bunch of frozen green peas in boiling water until barely done and still retained their freshness. Half of these went into the pureed soup. In each bowl I put some of the remaining green peas and some shredded reserved meat from the ham (I reserved the meat before I used the bone for stock). Then I poured in the soup and garnished it with mint leaves and a few dollops of creme fraiche. It was amazing, comfort food at its best and a great example of a split pea soup. Keller often talks about “finesse” and refinement, the details that make a good dish great. In this case it’s not just pureeing the soup, but the addition of those fresh green peas and mint leaves. They add so much pop and freshness to a bowl of soup that could be otherwise a bit monotonous. Of course that meant I probably ate way more of it that I should’ve.

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